INHA

This work, carried out with architect Pierre-Antoine Gatier, aims in particular to improve the hospitality of the premises while respecting the historic architecture.
The acoustics have been improved by integrating textile elements into the mineral architecture. The flow of traffic has been increased thanks to visible signage displayed on lintels and micro-architectures that structure the space, designed by the gr20 studio.

In the Gallery, long benches create welcoming spaces. They fit between the columns and blend in with the existing woodwork. The fabrics and materials extend the color harmony of the gallery, creating a monochromatic effect.

A series of acoustic and signage lintels mark the main entrances and punctuate the space as in a covered gallery.
The reception area is now visible from the Gallery to facilitate circulation. It extends into the lobby to better welcome all users. Serving as a signage support, it is also topped by an acoustic lintel to improve comfort in this high-traffic area.

The overall space of the Rotunda becomes a large, lively and vibrant square. It regains its concentric character, notably through the design of a layout directed towards its center. The installation of sofas thus creates a convivial ensemble following the lines of the floor. Thanks to their two sides, they create a lounge on one side and seating facing the flow of people on the other. They are mobile and can be dismantled and moved around depending on the events taking place. In the center, the chandelier extends from the top of the glass roof. It is composed of luminous spheres that echo the existing lighting fixtures, as well as acoustic spheres, further enhancing comfort. Monumental in scale, it invites visitors to gaze up at the sky.

Constance Guisset.